Tag Archives: Ty Templeton

Toronto ComiCON: the morning after. Ish.

It’s Monday and we’re back in full work mode…hard to do after a busy and wonderful weekend at Toronto ComiCON but that’s what a comics creator has to do in order to get to go to these conventions!

Toronto ComiCON is a renaming of what was the Fan Appreciation Events of previous years, from the same company that produces FanExpo Canada. This year’s event featured more ‘name’ guests than usual. All the comics guests were still gathered together in one area, in rows of tables with those who had paid for their tables clustered in the middle. The ‘name’ guests were all on the far left of each row, so that their fans could line up against the wall and not block the aisles at all. It was a good system–although with the other end of each table being closed off by a booth that meant that all the other artists had to push past that name guest to get out.  I had some fear that my bag would swing off my shoulder and I would thwack Phil Jimenez across the head or knock over Mark Bagley’s standee.  (And I discovered quickly that I’m a lot more claustrophobic than I would have guessed–seeing the hordes blocking the only free end of the table as they waited for Jiminez and George Perez was a bit overwhelming at times).

There were a lot of familiar faces at our table–Gibson Quarter (a frequent collaborator of mine, a former student of Ty’s at TCW, and a collaborator with both of us on the Holmes Incorporated books); David J. Cutler (one of Ty’s former students, the artist on The Northern Guard, and currently working with me on Heroes of the North’s  Nordik:  Chilling Me Softly). On the other side of Ty was the inimitable Leonard Kirk, and then Mr. Phil Jimenez.

Across from us were the Teuton guys for Big Sexy ComicsFearless Fred Kennedy and Adam Gorham. I did pop by to say a quick hello, but they were busy with fans and questions, so I mostly left them be. George Perez was at the end of their table, easily identifiable by the big smile and the amazing shirts (a pattern of M and Ms the first day, and I believe a pattern of toy robots on the Sunday).

Got to meet and briefly chat with Claudia Davila (writer/artist of the kids book Luz See The Light) at a moment when she wasn’t busy with fans (or her daughter who was there on the Sunday in a wonderful fabric crown of pale purple with a big gold star and a long pink cape). On Sunday, I introduced myself to her husband Michael Cho and got to talk to him for a while. He and Ty had never actually physically met in all the years they’ve both been at Toronto cons so I introduced them. The result was a very energetic and passionate conversation about their favourite years of Jack Kirby’s  creativity (Ty said ’71-’76 stating that most people would prefer the 60s ,  but Michael was in complete agreement until Ty said “The Demon”.  There they parted ways…)

Wonder Woman by Michael Cho--I spent the whole con eying this. I've promised my daughter that I'm getting this for her next con...

I tried to wander around the con a couple of times but it was BUSY!! (My stories of conventions necessarily end up being pretty myopic as I spend most of my time at the table or wandering to another creator to chat for a while.) I mostly stayed with Ty to chat with people and answer questions for when Ty was too busy, to watch his space or David’s and Gibson’s (nice feeling to sell some of the prints that I’d coloured!)

Pencils Gibson Quarter, Inks Guillermo Ortego, Colours Keiren Smith

Ty made a run on Sunday to find Quarter or Dollar comic bins. He came back awed by the impressive pile he’d picked up from a bin of DIME comics. Dime comics!! Usually, he regards Quarter Comics as  The Best Purchase Ever and has reluctantly moved up to Dollar Comics in recent years. When he discovered the Dime Comics, I was stunned that he left any behind.

Over the two days, I waved quick hellos at various creators–but it was so busy with appreciative fans that there wasn’t  a lot of chance for conversations. That was saved for dinner on Saturday night. Local creators Agnes Garbowska and Francis Manapul let Yanick Paquette in on the location of one of their favourite restaurants (a Thai place down on Queen’s Quay) where they were awaiting Marcus To and Marco Rudy, so Yanick showed up with Gibson Quarter, Richard Pace, Phil Jiminez, Paolo Rivera and his partner April, and me and Ty.

We had a great time–lots of good food and, as is always the case after a long day at a con, sharing stories of some of the more interesting sketch requests (okay we’ve all heard about the honey guy, and the glue guy but…camel toe? Really?), battle stories and more. We even had a brief discussion of American politics (that was before we’d met up with the whole group–there were half a dozen of us in a bar awaiting drinks and I can’t remember what Phil Jiminez said but there was this great moment where everyone there realised that Phil had just opened up the conversation to something that would make Ty inordinately happy! Ty, son of a former radio and newsman, loveslovesloves to discuss politics, most particularly American politics. It was an energetic and rowdy fun conversation.)

Constant loud admiration has its benefits!! After commenting on Richard Pace's "Classic Mythology Odin" on his deviantART and posting it on Tumblr, Richard gave me a print!!

All in all–exhausting but worthwhile.  It’s always a bit strange for me at conventions–I prefer to let Ty make all the conversation so I have to really try to “put myself out there”. This works well in limited bursts–I’d try to meet a creator and say hello, and if their eyes shifted off to the side for the slightest moment, I’d have a brief panic that I was taking up too much of their time and melt away. On the other hand, I do like to warn people that if you make the mistake of talking to me, I’m likely to talk your ears off–one of the reasons people have trouble believing I’m as shy as I swear I am.

Ty and I still have loads of work to do before we catch up–two days away from our desks is a lot. But Ty made a point of telling me how glad he was that we ignored our deadlines and went out to dinner with everyone.  We were only sorry to have missed out on other opportunities to hang out, but we did have kids waiting for us at home…

Reference Photos

Have to shoot some reference photos for Ty and we’re out of toner for all the printers in the house. Pointed out that he can just look at the reference photos on his monitor which made him complain a lot–which makes me wonder how he ever managed back in The Old Days with those itsy little ol’ Polaroids.  (To be fair, I do know that it’s because that means he’ll have to sit in his computer chair at his desk to draw, rather than lounging in his comfy drawing chair on the other side of the room.)  And how much money we’ve saved with the switch to digital cameras! (Which got balanced out by all those children so…still broke!).

Ty always goes on and on about how good I am at taking all his reference photos–probably because I was always so conscious of how much that damned Polaroid film cost, and that you only got 10 (?) shots in a package. So, we had to make every one count.

And I always preferred shooting the photos to having to ‘star’ in them…I’ve told tales of being four days postpartum and having to sit on the exercise bike in my skivvies pretending to be Wonder Woman riding a kangaroo–seriously–and the baby started crying, so I had him in one arm, and posing the whole time.  The following Batman cover I remember well.  We would look at Ty’s sketches and try to figure out how to get the reference shot in just one photo–because of those pricey Polaroids! Nowadays, it would be three or four pictures. But for that one, I remember having to pile all the sofa cushions in the corner of the sofa and balancing precariously on top of them, head completely over the edge, preparing to topple to the floor at any moment. The Batman and Robin figures would have been so easy–either I would have stood at the top of our very steep stairs shooting down at Ty…or those might have been down with him lying down on the floor reaching out toward me.

I always wonder what the neighbours would have thought if they could have seen any of what we got up to for these shots…)

(I’ve Googled and Googled, and I can’t find Ty’s pinup of Wonder Woman riding a kangaroo…wish I could remember what it was for…  It would have been done in February 1996, so it would have been published probably that summer).

Prometheus Bun Toons

Normally, I try and promote The Guy’s weekend ‘Toons when I can (especially if it can be self-serving and promote me as well)…but I was a bit hamstrung yesterday as he asked me not to mention N*** or Sp*** or the Sp*** Sh*****…but it seems people have been able to find it, and read it.

Check out the artwork by Jason Laudadio which is incredible. And somehow, I neglected to add my lettering credit. I think I thought it threw off the balance of the the title and the names. Sometimes it just isn’t about me!

Click on the first page to read the full story over at ART LAND!!

And more Holmes Inc. #1 online sites…

cover by Ty Templeton

Everywhere you look, you can download Holmes Incorporated #1 for FREE!  Okay, maybe not everywhere…but it’s in a lot of places.

You can click here:

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or click here:

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or click here:

Check out each of the sites; wander around and see what else is available. They all have substantial reasons to recommend themselves.

Welcome to Holmes Incorporated

script by Greg Dunford/art by Christopher Yao

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Nightclubbing

script by Kathleen Gallagher/art by Eden Bachelder

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Peril in Paris

script by Mike Marano/pencils by Alex Greychuck/inks by Dean Dumont

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Flight Plan

script by Rob Pincombe/art by Gibson Quarter/inks by Ty Templeton

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Spring Loaded

script by Maddy Beaupré/pencils and letters by Rachael Wells/inks by Pierce Desrochers-O’Sullivan

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The Bobby Bomber

script by Rob Oakman/pencils by Jeff Rusland/inks by Jeff Longstreet

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The Fingerless Prince

script by Heather Emme/art by Adam Gorham

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International Incident

script/art/letters by Pierce Desrochers-O’Sullivan

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All lettering by me ‘cept for Spring-Loaded and International Incident.

Holmes Incorporated #2 Cover

Pencilled and inked by Leonard Kirk, coloured by me. Book is officially launched July 22 with an Open House at Toronto Cartoonists Workshops new studio space (587 College Street West–for those of you in the GTA who want to stop by, see the space, meet the instructors and students, pick up a copy of the book!).  Read all about the project over at the Holmes Incorporated comic blog…

The new space sounds pretty amazing–it will be utilised by The Joe Shuster Awards for gatherings (The first one will be July 15:   Joe Shuster Awards–presentation to Toronto Winners and a Wrap Party); Guerilla Printing is moving into the space; and (yes there’s more!) there will be a framing store…name not yet announced. And the space will be used for monthly Industry Nights for those in the comics, illustration, animation fields beginning August 22.

 

Holmes Incorporated #2 Pin-Up

A pinup I coloured for the Holmes Inc. website promoting the upcoming second issue of the comic. Done for Toronto Cartoonists Workshop, Fit to Print class…four months of working together with an industry professional (this time out, Ty Templeton) to create a comic book from start to finish, simulating the “real world” of comics publishing.

The pinup is drawn by Daniel Wong—whose art has to be seen to be believed. When he first pulled out his portfolio to show his art (part of the process was for the artists to show off their ability to do sequential work, giving the editor and asst. editor a chance to see what their styles are like so as to know what writer/story to pair them with. It also gave the writers a chance to see what artists to jockey for…), people thought he’d “copied” someone else’s art. I actually had a confused moment where I thought he was keeping posters and pinups in his portfolio along with his art. Everyone—editors included—were flabbergasted to discover, nope, this is just what comes out of Daniel Wong’s hands! This will be his first professionally published gig (?)—but it certainly won’t be his last…

And, I’m clearly getting “spoiled”—I’m off to colour a cover pencilled and inked by the one and only Leonard Kirk.

New Comics Day

While you’re at your Local Comic Book Store buying your weeklies, keep an eye out for Marvel Comics hardcover of Strange Tales II. It includes Harvey Pekar Meets The Thing, written by Mr. Pekar, pencilled/inked/coloured by The Guy, and lettered by me.

Wizard World Toronto Comic Con

Just dropped by the Con yesterday for a quickie visit:  the Guy had been sick earlier in the week and wasn’t up to going in on Friday. Saturday was his one year anniversary of doing Bun Toons on his art blog, so he really wanted to make sure he got his new Bun Toon up before we left for the day. Between that and Toronto traffic, we weren’t on the convention floor until 3pm.

I helped Ty set up and he immediately got to sketching. I chatted with some of the other artists who told tales of being very pleased with the Friday show. All said that the attendance had been sparse, but that fans were enthusiastic, chatty and eager to buy pages and commission sketches. I wandered by the Guy’s table every now and then to see how he was, but he was always busy at a sketch and telling tales.

It was FREEZING COLD in the building yesterday–I was regretting having fallen for The Weather Network’s promises of sun and warmth which led me to leave home in a tshirt and boyfriend blazer. I envied Ty the leather jacket I had tried to talk him out of wearing.

I spent more time sitting and shivering than wandering about! But, I did briefly drag a chair over to talk to Richard Pace who was sitting more-or-less behind Ty. Dale Keown was right beside Richard but he was intent on a commission so we just said a quick hello. Richard was hard at work on a Jonah Hex commission, but was still able to chat. Next time I have to pack a few more dollars–Richard had a couple of beautiful prints of his work for sale. One was a print of the Transmetropolitan pinup he recently did; the second was a pinup from his planned graphic novel adaptation of Lovecraft’s Shadows over Innismouth.

I sat at Gibson Quarter’s table for him while he ran off to get coffee (lucky, lucky man had a wife who went and got him a hot cup of Timmy’s coffee and double-parked to drop it off to him! As he came back to the con, he was stopped repeatedly by people asking eagerly where he got it). It gave me a chance to check out all the prints that Gibson has for sale (some of them might look familiar to readers of this blog who know that I’ve done a bit of colouring for Gib). His latest print is a cover for Wasted magazine which the one and only Jamie Grant coloured…very, very nice indeed. He had copies of Wasted for sale, and Holmes Inc. (and he’s a participant in the newest version of  Fit to Print’s Holmes Inc.). Hung out and talked a bit with Gibson but I tried to leave him alone so he could finish some commissioned work.

Speaking of Fit to Print’s Holmes Inc. …I ran into Rob Pincombe who was a writer last time out, and is a writer/assistant editor this time. Rob was at the con as a fanboy, comic book writer (and probably keeping an eye out for anything interesting, now that he’s a contributing writer to Sequential, the online site which covers Canadian comic book news).

Rob was on a trek to meet Mike Grell and commission a drawing. This enabled me to tell Mr. Grell the tale of Ty having included him in his list of The Top Seven Comics Creators who can KICK YOUR ASS. I think Mr. Grell might be too nice a man to kick anyone’s ass–he was lovely and generous  in the brief time we talked to him and was amused when I told him of Ty’s list. Although I had completely misremembered and he’s number three not five as I had thought!

It’s always fun to run into someone I only know online–I’ve worked with Robert J. Lewis a couple times and he and I sometimes chat and vent about work experiences…and yesterday was actually the first time I’ve been in a room with him, despite his having been a member of the original Bootcamp Comics crew.

a page of Robert J. Lewis art I lettered back for Bootcamp Comics August 2009

Christopher Yao, a Holmes Inc. contributor,  was there selling copies of Fauntkin #1, and some preview pages of #2, and was pretty pleased with how the show was going for him (although poor Kate agreed with me that it was FREEZING COLD).

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While running around looking for Liana K. (who was busy judging a costume contest at the time so I talked to Steven J. Kerzner instead. We managed to keep it somewhat cheerful and upbeat and not succumb to just snarling about the current state of our democracy!), had brief chats with Adam Gorham, also a Holmes Inc. contributor, and the  artist behind Teuton.

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All in all, very low-key and easy going.

When the con ended, given how low-key and easy going it was, it was easy to quickly organise a crowd of comics creators to gather for dinner. Dinner, for me, was truly the best part of the day. The Guy and I joined Gibson Quarter, Rob Pincombe and one of the absolute nicest guys in comics, Yanick Paquette (we traded stories of ER visits for our respective children). I met Francis Manapul for the first time (actually a bit of a quandary for me–not sure who is the official Nicest Guy in Comics, Yanick or Francis. Francis has more natural enthusiasm for his job than I’ve seen in a long time. Quite amazing after all the time that he’s been working). I had to tell him that Ty,  a huge fan of the strange, the unknown and the mythical,  was crazy-jealous of Francis’ gig on Beast Legends. (Honestly, we have bookshelves filled with books on UFOs, urban legends, etc.)

I had spent a bit of time at the con admiring Agnes Garbowska’s work–kind of hard not to, actually. Kind of hard to stare at and not use the word “adorable” waaaaaaaaaaaaaaaaaay too many times. I think I tried for “ridiculously adorable” as a variant. I think her print of ridiculously adorable Supergirl was my favourite. (note to self–bring lots of $$ next convention). Anyway, having been fangirl at the con, it was fun to sit at a table and chat (although chatting was hampered by the jazz band and the acoustics of the restaurant. There was a lot of shouting and sign language). I hope I didn’t harm Richard Zajac’s hearing as he was next to me.

Kalman Andrasofszky joined us and the artists all got into a lively and amusing conversation as to their attitudes to their drawings and convention sketches (Ty is famous for being apologetic for almost every single one no matter how happy the recipient. Wanna make Ty cringe? Show him one of his convention sketches).

It was pretty eye-opening for me–and probably would be for young artists to know that every single artist in the world has times of artistic angst and crisis, and times when they’re happy and confident in their work. I think the main thing I took out of it was how genuinely happy that whole bunch is to be able to meet fans and talk to them and do sketches and commissions.

With children at home waiting for us (and phoning me constantly on the cell), and the noise level increasing in the restaurant (the Guy and I both have hearing issues), we decided to head out…so I know there were lots of other amazing creators there who I didn’t have a chance to meet and chat with. Hopefully, I’ll have other opportunities in the future…

Northern Guard #2 hits stores TODAY!

So, I was just joking last week–wondering whether anyone was paying attention…yeah, that’s it.

But I’ve been assured by the manager of a Local Comic Book Store that he was actually holding copies of Northern Guard #2 in his hands as he typed me a message–awfully nice of him actually to handicap himself so. Hard to type with one hand given over to so much glossy goodness.

Stores open soon–be there or be…um…maybe online ordering it digitally?

Northern Guard #2

I’m going out on a limb here to say…I think, I really really think, that Northern Guard might possibly potentially perhaps be coming out this Wednesday. I’ve just seen a fourth review, Moonstone Books lists it as “Now Available” so…that’s what I think.

With that in mind, here’s a couple of pages to whet your appetite and help you plant the name firmly in your brain so y’all can run to Your Local Comic Store on Wednesday and buy yourself your own copy! Yay!

Comics are Good!

Northern Guard #2

written by Ty Templeton with Sam Agro,

art by David J. Cutler

cover by Jason Edmiston

letters/colours by KT Smith